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Showing posts with label <b>The Actualist Anthology</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>The Actualist Anthology</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Monday, October 07, 2002</span></h2>

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<span style="font-family: Arial;">Actualism vanished as a
literary tendency as thoroughly as Objectivism seemed to have done in the early
1950s. <span class="GramE">While the annual Berkeley Actualist Conventions were
one public manifestation of this phenomenon, a rather different version than
the one visible in the Bay Area during the 1970s is suggested by <i style="mso-bidi-font-style: normal;">The Actualist Anthology</i> (The Spirit That
Moves Us, 1977), co-edited by Morty Sklar and the late Darrell Gray.</span> In
addition to the editors, the volume includes Allan and <span class="SpellE">Cinda</span>
Kornblum, Chuck Miller, Anselm Hollo, John <span class="SpellE">Batki</span>, Jim
<span class="SpellE">Mulac</span>, David Hilton, Sheila <span class="SpellE">Heldenbrand</span>,
George Mattingly, John <span class="SpellE">Sjoberg</span>, Steve Toth and Dave
Morice.<o:p></o:p></span></div>
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<span style="font-family: Arial;">The editors state frankly
that &#8220;Calling this volume THE ACTUALIST ANTHOLOGY came mainly out of a need for
a title.* &#8216;Fourteen Iowa City Poets&#8217; wouldn&#8217;t have been accurate &#8211; this is <i style="mso-bidi-font-style: normal;">not</i> a regional anthology in the strict
sense.&#8221; But in some sense, it was: &#8220;we have sought have sought to represent the
work of those poets most seminal to the Actualist Movement, which began (in
spirit, if not name) around 1970 in </span><st1:place><st1:city><span style="font-family: Arial;">Iowa City</span></st1:city><span style="font-family: Arial;">, </span><st1:state><span style="font-family: Arial;">Iowa</span></st1:state></st1:place><span style="font-family: Arial;">. Half of us remain in </span><st1:state><st1:place><span style="font-family: Arial;">Iowa</span></st1:place></st1:state><span style="font-family: Arial;">, while others have moved&#8230;.&#8221; Almost as pronounced as
the crucible of </span><st1:city><st1:place><span style="font-family: Arial;">Iowa
  City</span></st1:place></st1:city><span style="font-family: Arial;"> was this
group&#8217;s decidedly Midwestern background &#8211; eight of the contributors (Miller, <span class="SpellE">Mulac</span>, <span class="SpellE">Heldenbrand</span>, Mattingly, <span class="SpellE">Sjoberg</span>, Toth, Morice &amp; <span class="SpellE">Cinda</span>
Kornblum) were born in the </span><st1:place><span style="font-family: Arial;">Midwest</span></st1:place><span style="font-family: Arial;">, Darrell Gray was raised there. <span class="GramE">Generationally,
the Actualists roughly the same age as the language poets, ranging from a few
poets born in the 1930s (Hollo, Sklar, Hilton, Miller) to others born right
around the mid-century mark (Toth, <span class="SpellE">Heldenbrand</span>,
Mattingly).</span> <o:p></o:p></span></div>
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<span style="font-family: Arial;">As a group, these writers proved
antithetical to the &#8220;Workshop poem&#8221; associated with poets such as Marvin Bell
or Norman <span class="SpellE">Dubie</span>. The poems were often casual, but
always lively. Sklar, in &#8220;What Actually is Actualism,&#8221; characterized it as a
&#8220;basically open, generous and positive approach to our art.&#8221; Actualists poked
fun at the academy &amp; prided themselves on their rough edges: both Sklar and
Miller lists bouts of incarceration in their biographical notes. <o:p></o:p></span></div>
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<span style="font-family: Arial;">The literary context for
Actualism is worth noting. Allan Kornblum spells out his influences in the
greatest detail: <o:p></o:p></span></div>
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Thanks to my poetry
teachers in workshops: Dick Gallup, Carter Ratcliff, Tom Veitch, Ted Berrigan,
Jack Marshall, <st1:personname>Don</st1:personname>ald Justice, and Anselm
Hollo.</div>
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<span style="font-family: Arial;">While Justice taught at </span><st1:state><st1:place><span style="font-family: Arial;">Iowa</span></st1:place></st1:state><span style="font-family: Arial;"> for many years, the core of this list is a mélange
of second and third generation </span><st1:place><st1:placename><span style="font-family: Arial;">New York</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">School</span></st1:placetype></st1:place><span style="font-family: Arial;"> poets. As different as Gallup, Ratcliff, Veitch &amp; Berrigan are as
poets &#8211; the range of what gets included under the NY School banner is as broad
as that which now gets characterized as language poetry &#8211; what one notices
about this quartet is how absent they have been from the poetry scene for a
very long time: Berrigan by virtue of an early death, Ratcliff having turned to
art criticism, Veitch to graphic novels (including an authorized Star Wars
trilogy), and Gallup having, in the words of <i style="mso-bidi-font-style: normal;">Publishers Weekly, </i><span style="mso-spacerun: yes;">&nbsp;</span>&#8220;disengaged from the literary world in the
early &#8216;80s.&#8221; Marshall, who has managed to stay around the NY School, Iowa City
and the </span><st1:city><st1:place><span style="font-family: Arial;">San
  Francisco</span></st1:place></st1:city><span style="font-family: Arial;">
scene, keeping all three safely at arm&#8217;s length, is only slightly less
reclusive. <o:p></o:p></span></div>
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<span style="font-family: Arial;">By the mid-1980s, this
context had all but evaporated. Even more importantly, by the time Darrell Gray
died in 1986, alcoholism had effectively silenced him. While Actualism itself
cannot be reduced to Gray&#8217;s poetry &amp; impact, he was clearly its central
figure, both socially and intellectually. Without Gray, none of the other
participants, either in the Bay Area or from the </span><st1:state><st1:place><span style="font-family: Arial;">Iowa</span></st1:place></st1:state><span style="font-family: Arial;"> formation, continued to pursue the concept. Without
Berrigan, the single most important influence on Actualism, the link between
the </span><st1:place><st1:placename><span style="font-family: Arial;">New York</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">School</span></st1:placetype></st1:place><span style="font-family: Arial;"> and these poets scattered mostly throughout the west became nebulous in
the extreme. <o:p></o:p></span></div>
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<span style="font-family: Arial;">But if Actualism as a
tendency disappeared, many of the Actualists themselves did not. In addition to
Mattingly, Hollo and Morice, whom I&#8217;ve discussed previously in the blog, the <span class="SpellE">Kornblums</span> have transformed Toothpaste Press, virtually the
house organ of Iowa Actualism**, into Coffee House Press, one of the best and
most successful independent presses in the United States. In addition to its
many other books, Coffee House recently brought Dick Gallup back into print
with his first book since 1976, <i style="mso-bidi-font-style: normal;"><a href="http://www.coffeehousepress.org/shinypencils.asp">Shiny Pencils at the
Edge of Things</a>,</i> and has just another big &#8220;new and selected&#8221; volume by
Jack Marshall, <i style="mso-bidi-font-style: normal;"><a href="http://www.coffeehousepress.org/gorgeouschaos.asp">Gorgeous Chaos</a></i>
as well as Anselm Hollo&#8217;s <i style="mso-bidi-font-style: normal;"><a href="http://www.coffeehousepress.org/notesonpossibilities.asp">Notes on the
Possibilities and Attractions of Existence</a></i>, his largest collection
since Mattingly&#8217;s Blue Wind Press editions more than 20 years ago<i style="mso-bidi-font-style: normal;">.</i> Sklar occasionally still issues books
from The Spirit That Moves Us Press from </span><st1:place><st1:placename><span style="font-family: Arial;">Jackson</span></st1:placename><span style="font-family: Arial;"> </span><st1:placename><span style="font-family: Arial;">Heights</span></st1:placename></st1:place><span style="font-family: Arial;">, NY. John <span class="SpellE">Batki</span>, who characterized himself as
the &#8220;Laziest Actualist,&#8221; has instead grown into one of the finest translators
of Eastern European poetry. David Hilton has been teaching at </span><st1:place><st1:placename><span style="font-family: Arial;">Anne</span></st1:placename><span style="font-family: Arial;"> </span><st1:placename><span style="font-family: Arial;">Arundel</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">Community College</span></st1:placetype></st1:place><span style="font-family: Arial;"> near </span><st1:city><st1:place><span style="font-family: Arial;">Baltimore</span></st1:place></st1:city><span style="font-family: Arial;"> for over 30 years. And Steve Toth maintains a somewhat
&#8220;under construction&#8221; <a href="http://sstoth0.tripod.com/healingpoems/index.html">website</a>
that includes memorials to both Ted Berrigan and Darrell Gray.<span style="mso-spacerun: yes;">&nbsp; </span><o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 10.0pt;">* This
rationale perfectly matches the one given for Objectivism: letting Zukofsky
take over <i style="mso-bidi-font-style: normal;">Poetry</i> <span class="GramE">magazine</span>
for an issue required something identifiable, requiring a name.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">** When <i style="mso-bidi-font-style: normal;">The Actualist Anthology </i>came out in
1977, Toothpaste Press had already published books by both <span class="SpellE">Kornblums</span>,
Hollo, Sklar, <span class="SpellE">Batki</span>, Gray, Hilton, <span class="SpellE">Heldenbrand</span>, <span class="SpellE">Sjoberg</span>, Toth and
Morice. <o:p></o:p></span></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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